Karol Wróblewski

A Polish film, theatre, TV and voiceover actor. In 1999 after graduating from PWSFTViT in Łódź he debuted in the S. Jaracz theatre in a play by Mariusz Grzegorzek "Tramwaj zwany pożądaniem".  A diploma play  "Niezidentyfikowane szczątki ludzkie i prawdziwa natura miłości” directed by J. Maciejowski. He won his first prize during the Drama school festival in Brno and the Grand Prix award at the International Festival of Theatre Schools in Brno for the best performance.
He played on the boards of among others: Teatr na woli in Warsaw, łódzkie stowarzyszenie teatralne - Teatr 77, Warszawski teatr żydowski, Teatr polonia in Warsaw, as well as Labolatorium dramatu. In 2006-2010 He was associated with the Studio Theater in Warsaw, where he played, among others: Sir kay in "Prze(d)stawienie" (Tankred Dorst i Ursula Ehler, directed by  Agata Duda-Gracz), Synalek in „Bitwa pod Grunwaldem” (Tadeusz Borowski, directed by Marek Fiedor), Abnol in  „Nienasycenie” (Stanisław Ignacy Witkiewicz, directed by Tomasz Hynek) and Ludwik in "Oczarowanie" (Hermann Broch,  directed by Marek Fiedor). In the theater he collaborated, among others, with Lech Raczak, Maciej Kowalewski, Przemysław Wojcieszek, Marek Fiedor, Anna Smolar, Krystyna Janda.

In the current repertoire of the Dramatyczny Theater you can see him in the following performances:

„Chłopaki płaczą” directed by  M. Buszewicz
„Rewizor” M. Gogola directed by J. Murawicki
„Nasza klasa” T. Słobodzianka directed by O. Špisak

On the big screen he debuted in „Zutaten fur Traume” (2001), directed by G. Maugg,
He also played in  „Czerwone maki" (2024) directed by K. Łukaszewicz, „Raport Pileckiego" (2023), directed by Łukaszewicz. On the small screen, He appeared in several TV roles, including: „Król", „Klangor", „Mały zgon", „Brokat". 

He has been involved in dubbing for several years, working for Disney, Pixar Animation and Warner Bros.